Maureen Corrigan

In 'TransAtlantic,' The Flight Is Almost Too Smooth

Maureen Corrigan — Mon, 17 Jun 2013 17:42:00 +0000

Here we go into the wild blue yonder again with Colum McCann. In his 2009 novel, Let the Great World Spin, McCann swooped readers up into the air with the French aerialist Philippe Petit, who staged an illegal high-wire stunt walk between the twin towers of the World Trade Center in 1974. Strictly speaking, Let the Great World Spin was not a Sept. 11 novel, and yet almost everyone rightly read it as one, since McCann's tale commemorated the towers at the literal zenith of their history.

'Beside Ourselves' Explores Human-Animal Connections

Maureen Corrigan — Fri, 07 Jun 2013 18:21:00 +0000

Note: The audio and text of this review describe a major plot point that is not revealed until partway into the book.

If you know Karen Joy Fowler's writing only from her clever, 2004 best-seller, The Jane Austen Book Club, you're in for a shock.

After WWII, A Letter Of Appreciation That Still Rings True

Maureen Corrigan — Mon, 27 May 2013 15:18:00 +0000

In the fall of 1945, my father was honorably discharged from the Navy. He was one of the lucky ones. He'd served on a destroyer escort during the war, first in convoys dodging U-boats in the Atlantic and then in the Pacific where his ship, the USS Schmitt, shot down two kamikaze planes. My dad always kept a framed picture of the Schmitt above his dresser, but, like most men of his generation, he didn't talk a lot about his war years.

One story he did tell me, because it haunted him, was about a shipmate who was lost on duty one night.

Coming To 'Americanah': Two Tales Of Immigrant Experience

Maureen Corrigan — Wed, 15 May 2013 17:08:00 +0000

First things first: Can we talk about hair? Nigerian writer Chimamanda Ngozi Adichie has written a big knockout of a novel about immigration, American dreams, the power of first love, and the shifting meanings of skin color; but, as Adichie has said in interviews, she also knows that black women's hair can speak volumes about racial politics.

Postgraduate Post-Mortem In A Smart, Literary Mystery

Maureen Corrigan — Tue, 07 May 2013 11:03:00 +0000

There are many things to savor about Elanor Dymott's debut suspense novel, Every Contact Leaves a Trace -- among them, its baroque narrative structure and its clever manipulation of the stock, husband-who-hasn't-got-a-clue character. But Dymott really won me over when she pulled Robert Browning out of her crime kit. Nobody reads Robert Browning anymore, do they? As far as I can tell, high schools have thrown in the towel when it comes to teaching Victorian poetry; dissertations on Browning's dramatic monologues have all but dried up.