After the killing of Osama bin Laden in May 2011, the soldiers of theparamilitary force JSOC (Joint Special Operations Command) who carried out the operation were lionized as national heroes.
They earned more ambivalent treatment in Kathryn Bigelow's Zero Dark Thirty. And according to Dirty Wars, a documentary based on a book by investigative reporter Jeremy Scahill, their shadowy outfit has pretty much taken over America's global war on terrorism — and in flagrantly unconstitutional ways, he claims.
Sabine Azema (left) and Pierre Arditi are two of the veteran actors drawn into a convoluted retelling — and reimagining — of the Orpheus and Eurydice story in Alain Resnais' You Ain't Seen Nothin' Yet.
Credit Kino Lorber
YouAin't Seen Nothin' Yet features Resnais regulars Pierre Arditi (left) and Anne Consigny, who portray themselves and also interpret the mythical characters of the singer and his very mortal beloved.
As a relatively young man, French director Alain Resnais made films about loss, remembrance and the ghosts of a recent history that included the Holocaust, Hiroshima and the brutal Franco-Algerian war. He was 89 when he directed his latest film, You Ain't Seen Nothin' Yet, which also considers the presence of the past. But the director's concern with real-life horrors has been replaced here by an outlook that's both playful and explicitly theatrical.
I remember my youthful summers as a time of reading and exploration — diving into books, seeing new places and rediscovering nearby ones. After listening to Home of Song, the first album of family music from Minnesota singer Paul Spring, I think we spent summers in much the same way.