In the world of music, there is no more remarkable gift than having perfect pitch. As the story goes, Ella Fitzgerald's band would use her perfect pitch to tune their instruments.
Although it has a genetic component, most believe that perfect pitch — or absolute pitch — is a primarily a function of early life exposure and training in music, says Takao Hensch, professor of molecular and cellular biology at Harvard.
At the entrance of a new exhibit at Montreal's Musée d'Art Contemporain, visitors are greeted with a red neon glow and a ping-pong of sounds. A dubstep groove thumps. A high-hat skitters. A pow-wow chant echoes from another room.
Beat Nation: Hip Hop as Indigenous Culture has become something of an art sensation in Canada. Featuring more than two dozen artists using beats, graffiti, humor and politics to challenge stereotypes, the exhibit coincides with the growth of Idle No More, an indigenous political movement in Canada.
It may have been "the gayest year ever," as some gay and lesbian activists put it — 2013 saw the Defense of Marriage Act struck down by the Supreme Court and the number of states offering marriage rights to same-sex couples doubled, to a total of 18.
But as 2014 begins, another issue is gaining traction: transgender rights.
Movie theatres have tried different ways over the years to combat declining ticket sales. In this encore broadcast, Topher Forhecz reports on the latest attempt to bring in audience by recreating the comforts of home.
TOPHER FORHECZ, BYLINE: When I decided to see a movie at an AMC Theatre in upper Manhattan, the first change I noticed was I had to reserve my seat when I bought my ticket beforehand. So I just walked in and there are about nine rows of leather seats and I am in D6, so I've got to go find it.
2013 was an up and down year at the movies. There was a crop of box office flops. "The Lone Ranger" and "After Earth" fell into that trap. Steven Spielberg went so far as to predict an implosion of the film industry. Despite all that, 2013 looks to be the most lucrative year ever at the box office, but don't get your hopes up for the movie business just yet.
Stephen Galloway, executive features editor at the Hollywood Reporter, is not impressed by breaking that particular record.