Richard Wagner was, and still is today, arguably the most controversial figure in classical music. A self-appointed deity and hyperdriven genius, Wagner is often considered the ultimate megalomaniac. He dreamed up and achieved a single-minded plan to change the course of classical music history.
Originally published on Sat April 13, 2013 2:16 pm
In a rare departure from tradition, Saturday's weekly presidential address was delivered not by President Obama but instead by Francine Wheeler, whose son Ben, 6, died in the Sandy Hook Elementary School shootings last December.
Flanked by her husband, David, Wheeler called for Americans to urge the Senate to pass gun control legislation that it is scheduled to begin debating in the coming week.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
In 2001, Daniel Hodd was 17 and starting a promising career as a concert pianist. But he also wanted to become a U.S. Marine.
"At 3 years of age, you walked over to the piano, and you just started playing," Evelyn Hodd tells her son.
He played until he was 17 and performed in the Metropolitan Opera Theater. Juilliard offered him a scholarship. But Daniel decided to go to the military instead. He enlisted in 2002 and deployed to Iraq in 2003.
"That was devastating for me. And then, you had an accident," his mother says.
The Divine Comedy is a 14th century poem that has never lost its edge. Dante Alighieri's great work tells the tale of the author's trail through hell — each and every circle of it — purgatory and heaven. It has become perhaps the world's most cited allegorical epic about life, death, goodness, evil, damnation and reward. It calls upon the reader to ask: What would be our personal hell? What, for us, would really be paradise?