Convicted murderer Gary Haugen has spent more than 30 years in prison; he's been on death row since 2007. And if he had his way, he would schedule his execution tomorrow. But in an unusual case, the Oregon Supreme Court must decide whether Haugen, who has waived his right to appeal, can die — or if Gov. John Kitzhaber's reprieve of Haugen should stand.
Originally published on Fri March 15, 2013 9:43 am
In the buildup to the climax of Brad Anderson's The Call, a character discovers what the film's villain has been doing with all the teenage girls he's been kidnapping and killing. It's a grisly revelation, and it's played for shock value — both for the audience and for the character making the discovery.
There's only one problem: Early in the film, the body of one of these girls is recovered. So the details of the killer's M.O. shouldn't come as any shock whatsoever to the character that discovers his lair.
There are some funny bits and characters around the edges of The Incredible Burt Wonderstone, but its core is empty of humor. In fact, this purported satire of Las Vegas magicians is a three-void circus: the script, the central character and the main performance.
The committee-written screenplay begins with the premise that, 20 years after the illusion-busting Penn and Teller set up in Vegas, there could still be a market for a pair of old-school tricksters who call themselves Burt Wonderstone and Anton Marvelton.
Two young actresses with substantial Hollywood pedigrees have the title roles in the new film Ginger & Rosa. Ginger is played by Dakota Fanning's sister, Elle, who at 14 already has more than 30 movie credits. Rosa is played by Alice Englert, daughter of Oscar-winning writer-director Jane Campion and star of last month's Beautiful Creatures. Both actresses get a chance to stretch in Ginger & Rosa.
Of the many wonderful qualities associated with the films of Studio Ghibli — the Japanese animation house co-founded by Hiyao Miyazaki, the visionary director of My Neighbor Totoro, Kiki's Delivery Service and Spirited Away — serenity may be the most key. Ghibli productions offer the stirring adventures and magical creatures of their American counterparts, and often operate by a wondrously mysterious internal logic, but they do so without feeling compelled to grab a young audience by the lapels.