Some men, it's said, think about only one thing. Hong Kong movie producer To Wai-Cheung, for example, is absolutely obsessive about film. Yet when he discusses it, he always seems to be talking about something else that's often on men's minds.
To (Chapman To) is the protagonist of Vulgaria, a Hong Kong movie-biz satire and sex comedy. Directed by Pang Ho-Cheung, the film boasts the spontaneity of a French New Wave romp, while including raunchy gags worthy of The Hangover and Clerks II.
When it's done right, there's nothing so miraculous as the sound of human voices blending into a creamy swirl of color, with neither the help nor the distraction of musical accompaniment. Pitch Perfect banks on that magic — the purely human wizardry of a cappella singing — though it also attempts to be several other things: a mild gross-out comedy, a paean to the awkward early stages of new love, a Mean Girls-style riff on campus hierarchies. That may be too much for one modest comedy to carry, but one thing's for sure: Pitch Perfect doesn't skimp on the singing.
The main problem with time-travel movies is the many black holes that the plot can stumble into; for a certain kind of viewer, they can be more than a little distracting. While the story presses forward, we're stuck wondering, for instance, how a character can safely hang out with his future self in the same time period — an anomaly that, despite Spock's shenanigans in the 2009 Star Trek reboot, aficionados of Doctor Who know is a Very Bad Thing.
Two weeks after the attacks that killed the U.S. Ambassador to Libya and three other Americans, there is still confusion about what exactly happened and whether the United States might have prevented the tragedy. Critics of the Obama administration accuse the White House of dissembling about the attack. NPR's Dina Temple-Raston talks to Melissa Block.