This move by the European Central Bank is complicated stuff, and we've asked economist Kenneth Rogoff to help explain it a bit further. He's professor of economics at Harvard and former chief economist at the International Monetary Fund.
Welcome back to the program.
KENNETH ROGOFF: Thank you.
SIEGEL: And the first question: In general, is this another incremental, stopgap measure to hold the eurozone together? Or is the European Central Bank and Mario Draghi, are they announcing a game-changer here?
At a press event this morning in Los Angeles, Amazon unveiled its latest Kindle tablets and eReaders. As NPR's Steve Henn reports, it's unlikely Amazon will make much money selling these new devices, instead it hopes to profit when people use them to buy digital content.
At the end of July, when NPR's Robert Siegel set off on the longest vacation since his honeymoon 39 years ago, he packed a few books, including the new book The Art of Procrastination by John Perry, emeritus professor of philosophy at Stanford.
After two weeks in Delaware, two weeks in Iberia and a week of work in Tampa, Fla., Siegel finally finished it Wednesday night. He says his timing is fitting: The book is 92 small, double-spaced pages.
It expands on a short confessional essay Perry wrote in 1996 called "Structured Procrastination."
For an egregious example of a silly product placement, look no further than the CW show The Vampire Diaries, where a character actually says "I Bing'd it" of a search online. But believe it or not, product placement can actually be serious and socially conscious.
Take the Fox comedy Raising Hope. Earlier this year, the show's main character, who'd been a teen mom, caught a high school girl in bed with her boyfriend. "I'm gonna show you where this can lead to!" she screeched. "I'm your ghost of teen pregnancy future!"
Lincoln Center represents New York culture with a capital C. The Brooklyn Academy of Music, or BAM, across the river, has long presented scrappy alternative programming. But both recognize that to survive and thrive, they need to develop new works and new audiences.
Now, those two big artistic institutions have decided to go small. The Lincoln Center Theater and the Brooklyn Academy of Music have invested millions of dollars to fund new theater spaces for new work.