Mont Blanc (Aris Servetalis) leads a group of people who offer a peculiar service: the replacement of departed loved ones. Imitating hairstyle and favorite quotes is normal, though some in his group go so far as to re-enact more private events.
Credit Kino Lorber
Monte Rosa (Aggeliki Papoulia) begins doing substitute work outside of the group, using her job to search for her own authentic relationship.
Alps, the tightly controlled burn from Dogtooth director Giorgos Lanthimos, begins with a simple image: a girl twirling a ribbon. Practicing her routine in a large gym, the rhythmic gymnast (Ariane Labed) moves powerfully, spinning and tumbling across the mats in choreography set to "O Fortuna." She finishes, but as she complains to her coach, a middle-aged track-suit-wearing type (Johnny Vekris), the routine just isn't working — she'd rather be doing a pop song. She's ready for pop, she insists.
The Mira Sorvino who won an Oscar for her full-bodied twist on the hooker-with-a-heart-of-gold type in Woody Allen's Mighty Aphrodite resurfaces in Union Square, a micro-budget indie that calls for a similar brand of New York brassiness.
"A fiasco with a great first half" is what I called Kenneth Lonergan's Margaret when it was dumped in one New York theater last fall, five years after it was shot, amid a legal battle between Lonergan and a producer.
Global stock markets are anxiously awaiting new figures from China. Analysts are expecting the numbers to show the world's second largest economy suffering its biggest slowdown since the global financial crisis.