If you plot out a chart of 2012's average gasoline prices, you get what looks like a roller coaster. There's a steady increase from January to April, the spring peak around $4 per gallon, and then a steady decline in May and June.
By the beginning of July, the national average was hovering around $3.42.
But since then, that roller coaster chart has been heading into its second big climb. Prices have been going up since July 1, and are now approaching $3.80.
So, many drivers are now wondering if we should soon expect to pay even more — or if we're near the peak.
A federal database with the names of mentally ill people barred from buying guns still lacks millions of records it needs to be effective. A new report from Mayors Against Illegal Guns points to gaps in the National Instant Criminal Background Check System (NICS).
The problem is that 14 years after NICS was put in place, states still aren't submitting all the required mental health records.
Vice President Joe Biden has taken a lot of heat from the Romney campaign for telling a predominantly black audience that Romney would unchain Wall Street and put them back in chains. He made the remarks in Danville, Va., Tuesday. Here's a longer part of that speech that's gotten less airplay.
Originally published on Tue August 21, 2012 11:31 am
What's an American family these days? Many different things, but while television — a domestic medium to its marrow — has an affectionate finger on the pulse of the changing modern family, movies often seem stuck in a sorry dysfunction held over from the late 1960s, when we awoke to find that jolly Beaver Cleaver had morphed into miserable Benjamin Braddock, and while Mrs. Robinson tippled discreetly in the bedroom, Father, far from knowing best, went clueless or missing.
Even if most fans of hand-drawn animation have made peace, to a degree, with digital technology, the pleasures of old-school stop-motion animation are still rare and precious. There's something elemental about watching a movie that's been made by moving small figures around and filming them, frame by frame; even though there's always some digital technology involved in the making of a contemporary stop-motion film, the human touch always sings through the finished product.