On July 20, 1958, at Tanglewood — the summer home of the Boston Symphony Orchestra — pianist Leon Fleisher played an electrifying Brahms First Piano Concerto with the orchestra under its former music director, Pierre Monteux. This remarkable teaming has not been heard since then.
Imagine you're a movie producer, and you've got a couple of hundred million dollars to gamble on a single massive blockbuster. Which genre do you suppose will be your safest bet — superhero? Action-adventure? Sci-fi? All of those have had huge successes, but they've also all had hugely expensive failures.
There's one genre, though, that's hardly a gamble at all. It's been almost foolproof since it first came into being in 1995: computer animation.
It's been a while since we were all at the table together, but this week, the PCHH team returns in force to talk about The Amazing Spider-Man, whether it matters whether a film is "necessary," and whether charming leads are enough to make up for certain story shortfalls, if we presume that they exist. What will happen? Who will compare Spider-Man to Hamlet? Who will call Tobey Maguire's Peter Parker "moist"? (Okay, that one is me.) There are some basic Spider-Man spoilers, but we did what we could not to blow plot points of this particular movie.
Originally published on Fri July 13, 2012 10:56 am
When I was a kid I used to read all the time — at meals, in cars and even while walking around. I'd hold a book in one hand, and I'd use the other to feel my way along. It's a good method for getting a lot of reading done, but not so great for if you want to see what's in front of you.
But no matter where you're headed, NPR Books has got you covered. Here are the week's five most engrossing stories about books.