On July 20, 1958, at Tanglewood — the summer home of the Boston Symphony Orchestra — pianist Leon Fleisher played an electrifying Brahms First Piano Concerto with the orchestra under its former music director, Pierre Monteux. This remarkable teaming has not been heard since then.
Imagine you're a movie producer, and you've got a couple of hundred million dollars to gamble on a single massive blockbuster. Which genre do you suppose will be your safest bet — superhero? Action-adventure? Sci-fi? All of those have had huge successes, but they've also all had hugely expensive failures.
There's one genre, though, that's hardly a gamble at all. It's been almost foolproof since it first came into being in 1995: computer animation.
It's been a while since we were all at the table together, but this week, the PCHH team returns in force to talk about The Amazing Spider-Man, whether it matters whether a film is "necessary," and whether charming leads are enough to make up for certain story shortfalls, if we presume that they exist. What will happen? Who will compare Spider-Man to Hamlet? Who will call Tobey Maguire's Peter Parker "moist"? (Okay, that one is me.) There are some basic Spider-Man spoilers, but we did what we could not to blow plot points of this particular movie.