If you listen to commercial radio, this is not news: Katy Perry had a huge year. She went No.1 five times. She was the most played artist on the radio. But the record industry is so weird, it's hard to know whether this kind of success translates into huge amounts of money.
So we asked.
I walked over to Katy Perry's record label. She's on Capital, which is under EMI. I met Greg Thompson, executive vice president of marketing and promotion at EMI.
People line up to buy train tickets at Changsha Railway Station in Changsha, in southern China's Hunan province on Dec. 28, 2011. Million of Chinese are expected to cramp onto China's train network in the coming weeks to return home for the Chinese lunar new year that starts on Jan. 23, 2012.
Credit Frank Langfitt / NPR
An electronic board at Shanghai Railway Station shows many trains sold out for Jan. 16-18. China's Rail Ministry spent more than $8 million on the ticketing website — which crashed and sometimes charged users without actually giving them tickets.
Credit Frank Langfitt / NPR
On the day Li Xiusheng went to the Shanghai train station, he bought the last same-day ticket back to his hometown in central China's Anhui province. Li, a Christian, thinks it happened because of divine intervention.
During China's Lunar New Year holiday, more than 200 million people will travel home. It's the world's largest annual migration, and every year, Chinese tell horror stories about trying to get train tickets.
This season, the holiday falls on Monday, and it was supposed to be different: For the first time, China's rail ministry created a website to reserve seats. But things didn't work out as planned.
Whenever the late New York Times caricaturist Al Hirschfeld sketched Carol Channing — whether picturing her as an indomitable Dolly Levi, swathed in feathers and sequins, or as carbon-crazed Lorelei Lee, eyes sparkling like the diamonds that were that splendid creature's best friends — he always made her appear a creature composed entirely of lipstick, mascara and hairspray.
Ralph Fiennes showed up for a frenzied cameo near the end of Kathryn Bigelow's The Hurt Locker, and her hand-held, adrenaline-charged approach clearly inspired his film of Shakespeare's Coriolanus, which he both acts and directs the bloody hell out of.
In 1999, Rene Foreman was diagnosed with esophageal cancer. She underwent surgery that saved her life; it also took her voice box. To speak, Rene now uses an electrolarynx — a small device that she holds against her throat to produce her voice, electronically.
Discussing how having a synthesized voice has changed her life, Rene, 70, told her daughter Michelle that the electrolarynx helps her to enjoy each day, even if it also makes her stand out in some ways.
Of those times, Michelle asks, "How do you feel when people turn around and look at you?"