This is TALK OF THE NATION. I'm Neal Conan in Washington. From the Harlem Renaissance to black power, Langston Hughes spoke to the life of African-Americans. The neglected son of a famous abolitionist family, he immersed himself in books. Eighteen years old and just out of high school, he saw sunset on the muddy Mississippi from a train and wrote the poem that introduced the world to Langston Hughes, "The Negro Speaks of Rivers."
Three years ago, venture capitalists were pouring billions of dollars into technologies like solar power, wind power, biofuels and fuel cells. The federal government followed, directing some $44.5 billion into clean technology from late 2009 to late 2011 through loans, subsidies and tax incentives.
But now the clean-tech industry is facing leaner times, in part because of cheaper natural gas prices, the effects of the financial crisis and China's growing solar industry.
Lana Del Rey appeared on Saturday Night Live recently, giving two rather tentative performances that, depending on your point of view, were awkward and amateurish or shrewdly restrained and vulnerable. Del Rey, in her mid-20s, attracts polarizing opinions.
Producers Neil Meron and Craig Zadan have been making musicals together for almost 20 years. They're the team behind movie musicals like Hairspray, Chicago and Annie, and the TV musicals Gypsy and The Music Man.
Now Meron and Zadan have teamed up once again on the new NBC series Smash, a drama that goes behind the scenes as a motley crew of creative types put together a Broadway musical based on the life of Marilyn Monroe.