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David Bianculli

The Rocky Horror Show began as a stage musical in London in the early 1970s, starring Tim Curry as the outrageously dressed outer-space alien Frank N. Furter, self-described as a "sweet transvestite from Transsexual, Transylvania." Richard O'Brien, the composer of the play and its music, played Frank's hunchbacked assistant, Riff Raff — and the two of them repeated their roles in a 1975 movie, The Rocky Horror Picture Show.

Remember that meteorite that smashed into Russia a few years ago, with enough people filming it as it came to Earth to cause a brief Internet sensation?

The original Roots miniseries, based on the 1976 Alex Haley novel tracing his own family tree from African tribal life to American slavery and freedom, was a phenomenon.

ABC showed it over consecutive nights in January 1977, not because it was expected to earn huge ratings but because network executives were afraid it wouldn't. So they crammed the entire miniseries into an eight-day prime-time marathon, which aired, by coincidence, during a massive winter storm that snowed in much of the Northeast.

For years now, The Good Wife has been the best drama series on broadcast television, but it deserves even more praise than that. From the start, show creators Robert and Michelle King have had to deal with restrictive network standards, inconsistent scheduling, intrusive advertising breaks and a production order of 22 episodes per season — almost twice that of its cable and streaming competition.

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