David Bianculli

For years now, The Good Wife has been the best drama series on broadcast television, but it deserves even more praise than that. From the start, show creators Robert and Michelle King have had to deal with restrictive network standards, inconsistent scheduling, intrusive advertising breaks and a production order of 22 episodes per season — almost twice that of its cable and streaming competition.

When The X-Files appeared on TV in the 1990s, there really hadn't been anything quite like it on TV for a long time. The Twilight Zone, with its monsters and flying saucers and anything-goes mentality, was an obvious inspiration and precursor. But investigations of unusual or unearthly phenomena, dramatized in a weekly series in ways that could be scary or funny, or both? As TV shows go, that's about as rare a sighting as Bigfoot or the Loch Ness Monster.

When it came to new programming, broadcast TV didn't impress critic David Bianculli much this year. But if you add in cable and streaming services, then the story changes.

All told, cable and streaming made it "another great year for TV," Bianculli tells Fresh Air's Terry Gross. The year was so good, in fact, Bianculli says he could have made a Top 20 or even a Top 30 list, but in keeping with tradition, he has narrowed it down to 10 — OK, fine, 11 — picks:

A Very Murray Christmas is directed and co-written by Sofia Coppola, who also worked with Bill Murray on the movie Lost in Translation. In that film, Murray played an actor in Japan, reluctantly doing a series of commercials there, and not at all happy.

In A Very Murray Christmas, Murray starts out in much the same mood — he's in his room at New York's Carlyle Hotel, killing time with old friend Paul Shaffer, who's noodling at the piano. Outside, a snowstorm is raging. Inside, Bill Murray is pouting and singing a somber Christmas song.