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Elizabeth Blair

Elizabeth Blair is a Peabody Award winning, Senior Producer/Reporter on the Arts Desk of NPR News.

On a daily basis, she produces, edits and reports arts and cultural segments that air on NPR News magazines including Morning Edition and All Things Considered. Her recent stories explored the rise of public humiliation in popular culture, consumers' changing media habits and the intersection of the arts and education.

In this position that she has held since 2003, Blair's varied work has included profiles of actor Neil Patrick Harris, rapper K'Naan, and the band Pearl Jam. She has written and produced long-form documentaries on such cultural icons as Paul Robeson and Billie Holiday. Blair oversaw the production of some of NPR's most popular special projects including "50 Great Voices," the NPR series on awe-inspiring voices from around the world and across time in, and the "In Character" series which explored famous American fictional characters.

Over the years, Blair has received several honors for her work including two Peabody Awards and a Gracie.

For three and a half years, Blair lived in Paris, France, where she co-produced Le Jazz Club From Paris with Dee Dee Bridgewater, and the monthly magazine Postcard From Paris.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

Curious George famously managed all sorts of escapes — from policemen, firemen, zookeepers and plenty other humans who didn't like his mischief. But many readers don't know that the husband-wife team who created the inquisitive little monkey — who is celebrating his 75th birthday this year — had the most harrowing escape of all.

Please, have a seat; it's time to talk about chairs.

If fashion is art, Sonia Rykiel is considered a master. Women's Wear Daily dubbed her the "queen of knitwear" — though she was the first to admit she didn't know how to knit — and her designs have been shown in museums. Rykiel, who had Parkinson's disease, died Thursday morning at her home in Paris. She was 86.

There's no denying it: The architecture on the National Mall commands a kind of weighty reverence. From the neoclassical columns of the Capitol dome to the immense, white marble of the Lincoln Memorial, charm does not seem to have been the design goal for the nation's front lawn. Save for one standout: the Smithsonian's Arts and Industries Building, which, until this summer, had been chained shut for years.

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