John Powers

John Powers is the pop culture and critic-at-large on NPR's Fresh Air with Terry Gross. He previously served for six years as the film critic.

Powers covers film and politics for Vogue and Vogue.com. His work has appeared in numerous publications, including Harper's BAZAAR, The Nation, Gourmet, The Washington Post, The New York Times and L.A. Weekly, where he spent twelve years as a critic and columnist.

A former professor at Georgetown University, Powers is the author of Sore Winners, a study of American culture during President George W. Bush's administration. His latest book, WKW: The Cinema of Wong Kar Wai (co-written with Wong Kar Wai), is an April 2016 release by Rizzoli.

He lives in Pasadena, California, with his wife, Sandi Tan.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

Every movie is set somewhere, yet most movies feel as if they're happening nowhere at all. They're set in a Manhattan so generic that the filming was actually done in Toronto, or in a Paris we only know is Paris because we get a shot of the Eiffel Tower, or in an imaginary small town from some unnamed state whose purpose is to be every small town. Such settings have no presence, no weight, no humidity, no purpose — they're background.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

Brazil has been in the news a lot these days, but not for happy reasons. As it prepares to host the Olympics this August, the economy is tanking, the president is heading toward impeachment and the country has become ground zero for the Zika virus. All this is enough to make one recall Charles de Gaulle's famously dismissive remark, "Brazil is not a serious country."

Copyright 2016 Fresh Air. To see more, visit Fresh Air.