Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
4:03 pm
Thu May 2, 2013

'In The Air,' A Sense Of Stakes For A '70s Youth

Christine (Lola Creton) and Gilles (Clement Metayer) are the sometime couple at the center of Olivier Assayas' smart, clear-eyed examination of a still-painful period in France's recent past.
Carol Bethuel MK/Sundance Selects

In the opening minutes of Something in the Air, the protagonist carves an "A" (for anarchy) into his school desk, and participates in a street demonstration that ends in a punishing flurry of police billy clubs. "The revolution's near," apparently — to quote the 1969 Thunderclap Newman hit that provides the film's title.

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Movie Reviews
4:03 pm
Thu April 25, 2013

'Arthur Newman': A Bored Man's Bland Ambition

Mike (Emily Blunt) and Wallace (Colin Firth) try on new clothes — and new identities — in the unconvincing comedy Arthur Newman.
Cinedigm Entertainment Group

Being a movie actor is glamorous servitude. On the silver screen, the actor's presence is necessarily bigger than life — yet it's often yoked to parts that are much smaller.

The dreary Arthur Newman inspires such musings not just because it's about role-playing, but also because its two principals are so clearly acting — if for no other reason than they're famous Brits playing ordinary Yanks. This is a movie that wants viewers to believe that Colin Firth, best known to filmgoers as King George VI, is a nobody from nowheresville.

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Movie Reviews
4:03 pm
Thu April 25, 2013

In 'Paradise,' Pursuing Something Less Than Love

Teresa (Margarethe Tiesel) travels to a beach resort in Kenya for vacation, where she dabbles in sex tourism with a series of local men.
Strand Relesasing

The opening sequence of Paradise: Love doesn't really have anything to do with what follows, but it does establish director Ulrich Seidl's unflinching eye. At a pavilion somewhere in Austria, a group of cognitively challenged children, many apparently with Down syndrome, ride bumper cars under the supervision of Teresa (Margarethe Tiesel). There's no hint of sentimentality, no attempt at reassurance.

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Movie Reviews
4:03 pm
Thu April 18, 2013

Building A Home For A Client Who Can't Live In It

Artist Jackie Sumell set out to build a dream home for bank robber Herman Wallace, whose additional conviction for killing a prison guard is the subject of a long-running dispute.
First Run Features

The off-screen protagonist of Herman's House, Herman Wallace, already has a dwelling for his body: a 6-foot-by-8-foot cell at the Louisiana State Penitentiary, aka Angola. But the documentary's on-screen protagonist, Jackie Sumell, wants him also to have a place for his soul: a dream house for a man who desperately needs dreams.

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Movie Reviews
4:03 pm
Thu April 11, 2013

A Hazy Ode 'To The Wonder' Of Hidden Worlds

Jane (Rachel McAdams) rekindles an old affair with the taciturn Neil (Ben Affleck), an environmental investigator whose work takes him to a remote Oklahoma town in the enigmatic new film To the Wonder.
Mary Cybulski Magnolia Pictures

Pretty but inert, To the Wonder is a vaporous mystery wrapped in a gauzy enigma — a cinematic riddle that'll appeal principally to those eager for another piece, however tiny, of the puzzle that is Terrence Malick.

To the Wonder continues in the lyrical-to-a-fault mode of the writer-director's The Tree of Life; in fact, this film includes some footage originally shot for that one. But it excludes Rachel Weisz, Amanda Peet, Barry Pepper, Jessica Chastain and Michael Sheen, who all reportedly played roles that vanished from the final cut.

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