Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

For most of the 1950s, Hollywood had the ideal screenwriter. He worked fast and cheap and even won Oscars. Also, he didn't mouth off in public, or try to take all the credit.

In fact, Dalton Trumbo didn't take any credit, at least under his name. That's because he was blacklisted for being a former communist — he was a party member from 1943 to 1948 — after spending 11 months in federal prison for refusing to testify before the House Un-American Activities Committee.

Roughly half of Gaspar Noe's Love consists of raw, unsimulated sex acts — presented in 3D, no less. Add a dollop of young-adult romantic upheaval and the result is the Franco-Argentinian filmmaker's blandest feature to date.

Of course, that's by comparison to his previous movies, which depict rape, murder, psychedelic drug experiences, and slaughterhouse horrors. Aside from one jealous scuffle in a crowded art gallery, there's no violence in Love, which would be a conventional melodrama if not for the abundant sex and flamboyant style.

When it comes to music, Afghanistan is famous for the Taliban's ban on it during their rule. And when it comes to Afghan women and music, well, they tend to face the same constraints as in every other arena. Yet women have competed on Afghan Star, the local counterpart of American Idol, since the program premiered in 2005. One of them, Setara Hussainzada, inspired Rock the Kasbah, a comedy set on the front lines of tribal strife and pop-music combat.

Your country may be wrong, Steven Spielberg's Bridge of Spies sadly admits. But it maintains that a solid American family man can always be trusted. In the Cold War, as at home, father knows best.

Eccentric Canadian cinephile Guy Maddin simulates battered 1920s films so brilliantly that it's easy to miss what else he does. His The Forbidden Room, co-directed by protege Evan Johnson, plays like an anarchic collage of late-silent-era melodramas, action flicks, and horror movies, just unearthed after going unseen for nearly a century.

But the film is more than just spot-on parody.

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