Maureen Corrigan

Maureen Corrigan, book critic for NPR's Fresh Air, is a critic-in-residence and lecturer at Georgetown University. She is an associate editor of and contributor to Mystery and Suspense Writers (Scribner) and the winner of the 1999 Edgar Award for Criticism, presented by the Mystery Writers of America.

Corrigan served as a juror for the 2012 Pulitzer Prize in Fiction. Her book So We Read On: How The Great Gatsby Came To Be and Why It Endures was published by Little, Brown in September 2014 (paperback forthcoming May 2015). Corrigan is represented by Trinity Ray at The Tuesday Lecture Agency: trinity@tuesdayagency.com

Corrigan's literary memoir, Leave Me Alone, I'm Reading! was published in 2005. Corrigan is also a reviewer and columnist for The Washington Post's Book World. In addition to serving on the advisory panel of The American Heritage Dictionary, she has chaired the Mystery and Suspense judges' panel of the Los Angeles TimesBook Prize.

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In 2004, Susan Faludi stepped off a plane in Budapest, Hungary, to visit her father, a sometimes violent man with whom she'd barely spoken in over 25 years.

The reunion was prompted by an email she'd received from her then 76-year-old father announcing that "after years of impersonating a macho man" he, or rather, she, had undergone sex reassignment surgery. Faludi's father, "Steven," was now "Stefanie." Here's how Faludi describes their airport reunion:

After two half sisters are separated, we follow their family lines over the course of two centuries through a series of short stories. Some of their descendants are in Africa, some are in America; some are free, some are enslaved. In the end, the two separate family sagas merge into one, back in the place where it all began.

Henry James famously said that "summer afternoon" were the two most beautiful words in the English language. With apologies to The Master, I'd tweak that sentiment to suggest that maybe "summer suspense" are two even more beautiful words. Surely, on a sunny summer day, few pleasures can be greater than reading outside in the shade cast by a first-rate thriller.

Pamela Erens' new novel, Eleven Hours, is what traditionally would be called a "small story." It's less than 200 pages, features only two main characters and focuses primarily on events that take place over the span of, well, 11 hours. It's also a novel about the ultimate female adventure of childbirth.

The book is fierce and vivid in its depiction of the exhaustion of the spirit and the rending of the flesh during childbirth. So much so, that it makes that boy adventure aboard Herman Melville's Pequod almost seem like a Carnival cruise.