Maureen Corrigan

Maureen Corrigan, book critic for NPR's Fresh Air, is a critic-in-residence and lecturer at Georgetown University. She is an associate editor of and contributor to Mystery and Suspense Writers (Scribner) and the winner of the 1999 Edgar Award for Criticism, presented by the Mystery Writers of America.

Corrigan served as a juror for the 2012 Pulitzer Prize in Fiction. Her book So We Read On: How The Great Gatsby Came To Be and Why It Endures was published by Little, Brown in September 2014 (paperback forthcoming May 2015). Corrigan is represented by Trinity Ray at The Tuesday Lecture Agency: trinity@tuesdayagency.com

Corrigan's literary memoir, Leave Me Alone, I'm Reading! was published in 2005. Corrigan is also a reviewer and columnist for The Washington Post's Book World. In addition to serving on the advisory panel of The American Heritage Dictionary, she has chaired the Mystery and Suspense judges' panel of the Los Angeles TimesBook Prize.

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There's so much to like about the classy Last Interview series, but one of the things I now like best about it is the heavenly trio who was recently added to the line-up: Ernest Hemingway, Philip K. Dick, and Nora Ephron.

This year, most of the best stories I read came in small-ish packages.

Mary Gaitskill writes tough. Her characters are almost always "users" — users of drugs and other people; they're often mean and manipulative and flooded with self-loathing. In short, to quote the title of her debut short story collection, Gaitskill writes about people who are no strangers to "bad behavior." You have to write tough — and brilliantly — to pull off a novel like The Mare.

I hate to make so much of Roger Angell's age, but he started it. Angell is 95, and he's written decades' worth of books and articles (many of them about baseball), humor pieces, profiles, and poems — some of which are gathered in this new collection called, This Old Man.

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