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Scott Simon

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SCOTT SIMON, HOST:

A Meditation On 'Evil'

Apr 8, 2017

I watched some of the wrenching, sickening images from the chemical weapons attack in the Idlib province of Syria this week that killed scores of people, many of them children, with our daughters. I'd reached for a remote control to roll past the pictures of innocent people, including so many children — foaming, writhing and gasping to breathe. But then I thought: No, this is our world. They should see some of this.

Their Finest is a film within a film about making wartime movies in Britain. Bill Nighy stars as an aging matinee idol, unhappy that he's been cast in an older role. Gemma Arterton plays a young copywriter — the script department's secret weapon.

It's during the Blitz, and they're tasked with making a British drama that will lift spirits at home and warm hearts across the ocean — a challenge that real filmmakers faced as well.

Karen Neulander is a brilliant, determined, tough political consultant who is facing a crisis she knows she can't fix: terminal ovarian cancer. Karen is determined to use whatever time she has left to share as much as she can of her life with her 6-year-old son, Jacob. She also has another goal: to introduce Jacob to Dave, the father he has never known but must try to love for the rest of his life.

An artist is sitting on a chair in a Paris art museum over a dozen chicken eggs until they hatch. This is not an April Fools' joke.

"I will, broadly speaking, become a chicken," says Abraham Poincheval, a French performance artist who has recently also had himself encased inside a bear, where he ate worms and beetles, and then inside a limestone rock, where he thought, slept and slurped soup.

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