Scott Tobias

Scott Tobias is the film editor of The A.V. Club, the arts and entertainment section of The Onion, where he's worked as a staff writer for over a decade. His reviews have also appeared in Time Out New York, City Pages, The Village Voice, The Nashville Scene, and The Hollywood Reporter. Along with other members of the A.V. Club staff, he co-authored the 2002 interview anthology The Tenacity Of the Cockroach and the new book Inventory, a collection of pop-culture lists.

Though Tobias received a formal education at the University Of Georgia and the University Of Miami, his film education was mostly extracurricular. As a child, he would draw pictures on strips of construction paper and run them through the slats on the saloon doors separating the dining room from the kitchen. As an undergraduate, he would rearrange his class schedule in order to spend long afternoons watching classic films on the 7th floor of the UGA library. He cut his teeth writing review for student newspapers (first review: a pan of the Burt Reynolds comedy Cop and a Half) and started freelancing for the A.V. Club in early 1999.

Tobias currently resides in Chicago, where he shares a too-small apartment with his wife, his daughter, two warring cats and the pug who agitates them.

For the Bronx graffiti artists of Gimme the Loot, Adam Leon's sweet, vibrant debut feature, "Bombing the Apple" is the holy grail of tagging achievements.

"The Apple" in question is the protuberance that emerges from behind the center-right wall in Shea Stadium — they refuse to acknowledge the corporate name Citi Field — every time a New York Mets player hits a home run.

Of the many wonderful qualities associated with the films of Studio Ghibli — the Japanese animation house co-founded by Hiyao Miyazaki, the visionary director of My Neighbor Totoro, Kiki's Delivery Service and Spirited Away — serenity may be the most key. Ghibli productions offer the stirring adventures and magical creatures of their American counterparts, and often operate by a wondrously mysterious internal logic, but they do so without feeling compelled to grab a young audience by the lapels.

Some bands are born of passion and deep camaraderie, a collective desire to rebel against authority — or at least to look cool. Others are born because a major label threatens to drop them if they don't find a lead vocalist.

It's a mark of a great filmmaker when a movie is felt first and understood later, allowing audiences to intuit their way through a fog of mystery and sensuality before finally getting a clear view of the landscape. Best known for an operatic trio of revenge thrillers — the second, Oldboy, won the Grand Prix at Cannes in 2004 and a fervent cult following — South Korean genre maestro Park Chan-wook expresses florid emotion in cool, impeccable, gothic language.

"Inspired by true events" — a phrase that implies the greatest possible distance between something that actually happened and what's about to happen on screen — Snitch tries to be two movies at once.

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