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Scott Tobias

Scott Tobias is the film editor of The A.V. Club, the arts and entertainment section of The Onion, where he's worked as a staff writer for over a decade. His reviews have also appeared in Time Out New York, City Pages, The Village Voice, The Nashville Scene, and The Hollywood Reporter. Along with other members of the A.V. Club staff, he co-authored the 2002 interview anthology The Tenacity Of the Cockroach and the new book Inventory, a collection of pop-culture lists.

Though Tobias received a formal education at the University Of Georgia and the University Of Miami, his film education was mostly extracurricular. As a child, he would draw pictures on strips of construction paper and run them through the slats on the saloon doors separating the dining room from the kitchen. As an undergraduate, he would rearrange his class schedule in order to spend long afternoons watching classic films on the 7th floor of the UGA library. He cut his teeth writing review for student newspapers (first review: a pan of the Burt Reynolds comedy Cop and a Half) and started freelancing for the A.V. Club in early 1999.

Tobias currently resides in Chicago, where he shares a too-small apartment with his wife, his daughter, two warring cats and the pug who agitates them.

In the shimmering Tinseltown gothic of Nicolas Winding Refn's The Neon Demon, beauty is a commodity both precious and volatile, subject to runway trends and the ravages of age, with just a blemish, a wrinkle, or a sliver of fat separating today's "It Girl" from tomorrow's bus back to Indiana.

In recent years, the word "fan" has become a pejorative in the movie world, linked to mobs of entitled young men torching critics of comic-book blockbusters, advancing sinister conspiracy theories, and preemptively

The most telling aspect of The Conjuring 2, the gonzo sequel to the 2013 horror smash, is that it's 133 minutes long. A running time like that is a rarity—The Exorcist, at 132 minutes, may be the strongest analogue—because the genre draws intensity from concision, and its dread-soaked mysteries are not so easily sustained over time.

The Lonely Island comedy trio — Akiva Schaffer, Jorma Taccone, and Andy Samberg — have been writing and performing together since 2000, but they didn't reach national prominence until 2005, when their Saturday Night Live digital short "Lazy Sunday" went viral. "Lazy Sunday" crystallized the troupe's winning musical formula: Ferocious, chest-thumping rap braggadocio in service of silly and self-deprecating lyrics, like eating cupcakes and seeing a matinee of The Chronicles of Narnia.

J.G. Ballard's classic 1975 science-fiction novel High-Rise is a caustic vision of modernity gone awry, witnessing a high-tech utopia of domestic convenience undone by class conflict. Located on the outskirts of London, the building of the title has 40 floors, and its amenities — a grocery store, a swimming pool and gym, high-speed elevators, and even its own primary school — discourage residents from ever leaving the premises. In other words, it's a self-contained vertical society, with the wealthy elites occupying the top floors and the cash-strapped plebeians toward the bottom.

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