Scott Tobias

Scott Tobias is the film editor of The A.V. Club, the arts and entertainment section of The Onion, where he's worked as a staff writer for over a decade. His reviews have also appeared in Time Out New York, City Pages, The Village Voice, The Nashville Scene, and The Hollywood Reporter. Along with other members of the A.V. Club staff, he co-authored the 2002 interview anthology The Tenacity Of the Cockroach and the new book Inventory, a collection of pop-culture lists.

Though Tobias received a formal education at the University Of Georgia and the University Of Miami, his film education was mostly extracurricular. As a child, he would draw pictures on strips of construction paper and run them through the slats on the saloon doors separating the dining room from the kitchen. As an undergraduate, he would rearrange his class schedule in order to spend long afternoons watching classic films on the 7th floor of the UGA library. He cut his teeth writing review for student newspapers (first review: a pan of the Burt Reynolds comedy Cop and a Half) and started freelancing for the A.V. Club in early 1999.

Tobias currently resides in Chicago, where he shares a too-small apartment with his wife, his daughter, two warring cats and the pug who agitates them.

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Movie Reviews
4:03 pm
Thu July 12, 2012

Two Fractious Sisters, Reunited But Still At Odds

In Union Square, Jenny (Tammy Blanchard, left) gets a surprise visit from her estranged sister, Lucy (Mira Sorvino), an emotional train wreck whose outsize personality clashes with Jenny's carefully constructed self-image.
Gerardo Somoza Reunion Pictures

The Mira Sorvino who won an Oscar for her full-bodied twist on the hooker-with-a-heart-of-gold type in Woody Allen's Mighty Aphrodite resurfaces in Union Square, a micro-budget indie that calls for a similar brand of New York brassiness.

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Movie Reviews
4:03 pm
Thu June 21, 2012

In 'Brave,' A Pixar Princess At Odds With Her Place

Merida, the heroine in Pixar's Brave, causes much family drama by refusing to get married — and acting more like her father, King Fergus, than a "proper princess."
Disney/Pixar

Not since Walt Disney's heyday has an animation company enjoyed a creative — and technically innovative — run like Pixar, now on a two-decade stretch that started with Toy Story in 1995 and continued with modern classics like Finding Nemo, Monsters Inc., The Incredibles, WALL-E, Ratatouille and two Toy Story sequels that took on improbable depth and complexity. Over the years, the only persistent knock against Pixar is its lack of one thing Disney movies had in spades: female heroines.

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Movie Reviews
4:08 pm
Thu June 14, 2012

'That's My Boy' Explores The Far Reaches Of Vulgarity

Reunited with an uptight son (Andy Samberg, right), a beer-swilling ne'er-do-well (Adam Sandler) counsels more heedless hedonism in That's My Boy.
Tracy Bennett Columbia Pictures

Originally published on Fri June 15, 2012 3:49 pm

Like the twisted love child of Van Halen's "Hot for Teacher" video and the Mary Kay Letourneau scandal, the Adam Sandler comedy That's My Boy opens with a middle-school Lothario bedding — and later impregnating— a sexually voracious instructor.

If their genders were reversed, That's My Boy would be cause for a congressional hearing. But in a film defined by juvenile fantasy, the kid becomes not only the class hero, but an '80s cultural icon on par with Vanilla Ice and Diff'rent Strokes' Todd Bridges (both of whom appear as themselves.)

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