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Steve Drummond

Paper ... or glass?

Advances in laptops and technology are pushing screens into schools like never before. So what does this drive toward digital classrooms mean for that oldest and simplest of touch screens: a plain old sheet of paper?

It may seem a wasteful and obsolete technology, ready to follow the slate chalkboard and the ditto machine into the Smithsonian, or a flat, white invitation to creativity, just waiting for some learning magic to happen.

It's a perennial debate in American education: Do kids learn best when they're sitting in rows at their desks? Or moving around, exploring on their own?

Back in the 1960s and '70s, that debate led to a brand new school design: Small classrooms were out. Wide-open spaces were in. The Open Education movement was born.

Across the U.S., schools were designed and built along these new ideas, with a new approach to the learning that would take place inside them.

We've written a lot about the link between college and the workforce — and the kinds of skills graduates will need in the 21st century to succeed. One of the skills you need is knowing how to present yourself. To put your best foot forward in the workplace, and in life.

So what's up with the crayons? Everywhere you go lately — the bookstore, Starbucks — even here at NPR — I see grown men and women sitting around coloring.

Every time, this takes me back to rainy childhood days on the living room floor: A robot. A mosaic of geometric houses. A flowery design pattern.

Clearly, I've stumbled upon the national craze for adult coloring books.

When we're reporting on special education, we inevitably run up against questions of how we should refer to students with disabilities and to the disabilities themselves.

It's a minefield, comparable to the tensions and complexity of writing about race and ethnicity.

It's important to get it right. As journalists, of course, we want to be accurate. And clear. And we want to avoid perpetuating stereotypes or giving offense.

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