Trey Graham

Trey Graham edits and produces arts and entertainment content for NPR's Digital Media division, where among other things he's helped launch the Monkey See pop-culture blog and NPR's expanded Web-only movies coverage. He also helps manage the Web presence for Fresh Air from WHYY.

Outside NPR, Graham has been a lead theater critic at the Washington City Paper, D.C.'s alternative weekly newspaper, since 1995, which means he's seen a good deal of superb theater and a great deal of schlock. He's still stage-struck enough to believe that the former makes up for the latter.

Graham began his career as a writer and editor at The Washington Blade; his subsequent tenure at USA Today included a stint as the newspaper's music and theater editor. A past fellow at both the O'Neill Critics Institute and the NEA Arts Journalism Institute in Theater and Musical Theater, Graham won the George Jean Nathan Award for distinguished drama criticism in December 2004.

Graham is also a regular panelist on Around Town, the venerable arts roundtable program on Washington PBS affiliate WETA-TV, and the author of the theater section of the newest Time Out Guide to the nation's capital. He's written about books, travel, movies and the arts for publications including The New York Times and The Washington Post.

Born in New Orleans (during Mardi Gras, no less) and raised in South Carolina, Graham has lived in Washington, D.C., since 1990 ­ except for a couple of years in Zimbabwe, which turned out to be way more fun than a politically perilous, economically disastrous situation has any right being.

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Monkey See
6:14 pm
Wed June 13, 2012

Theater Diary: Ludacris Meets The Von Trapps, And A Bartender Proves Unreliable

Three's company: M (Jason Butler Harner, left) and F (Amanda Quaid) spar over the affections of the paralyzingly uncertain John (Cory Michael Smith) in Mike Bartlett's The Cockfight Play.
Joan Marcus

Originally published on Thu June 14, 2012 10:22 am

On Monday night, a theater-critic buddy and I were hoisting a round at a 9th Avenue saloon called Flaming Saddles. "God Bless Texas" was on the jukebox, which was an actual jukebox and not somebody's Spotify playlist, and the big-screen TVs were showing Shirley MacLaine getting smashed in Can-Can, because it's that kind of establishment.

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Monkey See
12:25 pm
Tue June 12, 2012

Theater Diary: In Which Our Heads Explode From Sheer Nerd Joy

Emily Skinner (left) and Alice Ripley in the original Broadway production of a show that we will shortly discuss further.

Originally published on Tue June 12, 2012 6:44 pm

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Monkey See
12:35 pm
Mon June 11, 2012

Tony Awards Recap: We Ponder The Highs And Lows Of A Show About Shows

David Alan Grier dazzled audiences last night in "It Ain't Necessarily So," part of a song medley from best musical-revival winner Porgy and Bess.
Theo Wargo Getty Images

Originally published on Tue June 12, 2012 6:44 pm

The Tonys, like all awards shows, are about successful people dressing pretty to congratulate each other for being successful. Can't get past that.

But the Tonys, to me, always seem just a little less gross than the Oscars or the Grammys or the Xtreme Video Music Firewalking Awards or what have you.

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