Trey Graham
Trey Graham edits and produces arts and entertainment content for NPR's Digital Media division, where among other things he's helped launch the Monkey See pop-culture blog and NPR's expanded Web-only movies coverage. He also helps manage the Web presence for Fresh Air from WHYY.
Outside NPR, Graham has been a lead theater critic at the Washington City Paper, D.C.'s alternative weekly newspaper, since 1995, which means he's seen a good deal of superb theater and a great deal of schlock. He's still stage-struck enough to believe that the former makes up for the latter.
Graham began his career as a writer and editor at The Washington Blade; his subsequent tenure at USA Today included a stint as the newspaper's music and theater editor. A past fellow at both the O'Neill Critics Institute and the NEA Arts Journalism Institute in Theater and Musical Theater, Graham won the George Jean Nathan Award for distinguished drama criticism in December 2004.
Graham is also a regular panelist on Around Town, the venerable arts roundtable program on Washington PBS affiliate WETA-TV, and the author of the theater section of the newest Time Out Guide to the nation's capital. He's written about books, travel, movies and the arts for publications including The New York Times and The Washington Post.
Born in New Orleans (during Mardi Gras, no less) and raised in South Carolina, Graham has lived in Washington, D.C., since 1990 except for a couple of years in Zimbabwe, which turned out to be way more fun than a politically perilous, economically disastrous situation has any right being.
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We walk gingerly up to the topic of The Movie and The Shootings, then turn to this summer's Olympic Games and the thoughts they inspire. Then as always, several things make us happy.
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We bounce from chronicles sober and silly to the question of what makes a solid first-person shooter, and confess to being pleased by some of the strangest things.
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One last dispatch, now that we've recovered, featuring observations on Jackie Hoffman and shirtless dwarves.
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Sometimes high-octane histrionics are what makes a show unforgettable. And sometimes it's the little moments — and how they reflect what's gone before.
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Things I learned over the course of two very busy days in New York, including why you shouldn't believe every rumor you hear in a 9th Avenue saloon.
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Clybourne Park extends, Pacino tipped for Glengarry, and a third development that will send a tingle down the legs of musical-theater nerds everywhere.
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Last night's Tony Awards broadcast was evidence — awkward moments and all — that if there's one thing Broadway performers know how to do, it's put on a live show.
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The Santa-industrial complex gets taken affectionately down in a witty, big-hearted holiday romp from the studio behind Chicken Run and Wallace and Gromit.
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If you are uncertain about the implications of The Jock-Nerd Convergence or are unsure about the dangers posed by The Century Toad, fear not: author John Hodgman is here to explain them to you. Also: sardines.
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Bob Mondello's essay on why remakes aren't always regrettable got us thinking: Why do some work better than others? We explore three examples — and invite you to do the same.