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'Sábado Gigante' Celebrates 50 With Lots Of Variety

Mario Kreutzberger, aka Don Francisco, has served as host of <em>S<em>á</em>bado Gigante</em> since the show's debut in 1962. The variety show will mark its 50th anniversary on Saturday.
Alan Diaz
/
AP
Mario Kreutzberger, aka Don Francisco, has served as host of Sábado Gigante since the show's debut in 1962. The variety show will mark its 50th anniversary on Saturday.

For 50 years, Spanish-speaking TV viewers have tuned into the weekly variety show Sábado Gigante. Host Don Francisco commands a festive live audience in Miami, with celebrity interviews, musical performances, goofy sidekicks and scantily clad dancers. The three-hour show is broadcast throughout the Americas.

Zoologist Ron Magill points to his wedding ring as dancers surround him during a 2006 taping of <em>S<em>á</em>bado Gigante</em>.
Lynne Sladky / AP
/
AP
Zoologist Ron Magill points to his wedding ring as dancers surround him during a 2006 taping of Sábado Gigante.

Ivalisse Pina has been watching Sábado Gigante for 25 years. The 61-year-old retiree from the Dominican Republic is a die-hard fan. It's a fun show, she says from her home in Orlando, where she watches every week with her grandchildren. They share popcorn, she drinks her Coors Light and they laugh along with Francisco.

"Don Francisco is a strong character," she says. He's funny, he's happy, and mostly, he reminds her of her late husband. Pina says she likes the weekly car raffle and a recurring skit about a goofy hospital.

For half a century, Sábado Gigante has been a raucous romp, with hours and hours of musical guests and dancers. It's a variety show; it's a talk show; it's a game show. Think Price Is Right meets American Idol meets The Gong Show. Francisco has his regular sidekicks, like "La Cuatro," who gets slapped for being naughty and sings very badly, and a masked character known as "El Chacal," the jackal. Whenever there's a really awful singer, he blows his trumpet and gets the audience to boo.

The show includes cheesy skits and corny audience sing-alongs, and the risque "Miss Colita" contest, with close-up shots of women dancing around in string bikinis.

A younger generation of Sábado Gigante fans say they grew up watching the show with their families. At a street festival in Whittier, east of Los Angeles, Ray Marquez, 33, says he still tries to sneak a peek when his wife isn't looking.

"I love that show, even though I don't speak Spanish," he says with a laugh. "It's the women. ... Those dances where they had 15 girls dancing at the same time. Sorry ... I'm a dude."

But Daniel Rojas, who's 29, finds it all tacky and offensive. "I wouldn't let my kids watch it," he says. "There's too many half-naked women on it. And there's like a double meaning to their jokes so the show's not on there for kids — even though they do have that kids section where they ask kids questions. But I think that's for the amusement of grown-ups. Kinda like 'kids say the darndest things' kind of thing."

New York blogger Laura Martinez says the long-running show has launched many a career for Latino singers and dancers. And she says Francisco hawks cars and sodas and beer for his sponsors. "Sábado Gigante is an advertiser's dream come true," she says. "You have the entire live audience singing and dancing to the tune of your ad."

Martinez, who's 43, has also watched the show in Mexico, Chile and Argentina. She says for many Latinos and Latin Americans, Sábado Gigante has been a staple.

"It's old-fashioned, and I think that's part of its success," she says. "It's remained the same. ... There is La Chacal, there is El Chacal with the trompeta, there is Don Francisco. You can find Latin Americans who say they hate him, love them, they don't care. But it's hard to find someone who says 'who?' Everyone knows who this guy is."

Copyright 2021 NPR. To see more, visit https://www.npr.org.

As an arts correspondent based at NPR West, Mandalit del Barco reports and produces stories about film, television, music, visual arts, dance and other topics. Over the years, she has also covered everything from street gangs to Hollywood, police and prisons, marijuana, immigration, race relations, natural disasters, Latino arts and urban street culture (including hip hop dance, music, and art). Every year, she covers the Oscars and the Grammy awards for NPR, as well as the Sundance Film Festival and other events. Her news reports, feature stories and photos, filed from Los Angeles and abroad, can be heard on All Things Considered, Morning Edition, Weekend Edition, Alt.latino, and npr.org.