In Paul Thomas Anderson's The Master, Amy Adams plays Peggy Dodd, the spouse of a charismatic spiritual leader, played by Philip Seymour Hoffman. Adams says her character is smart and educated but feels "more powerful behind a man than in front of a man."
Amy Adams has played a Disney princess, a puckish Amelia Earhart, an innocent young nun and a blogging Brooklynite who wants to follow the recipe for being Julia Child.
But she takes a more steely turn in her latest role in The Master, which has just opened in New York and Los Angeles. The film, written and directed by Paul Thomas Anderson, also stars Joaquin Phoenix and Philip Seymour Hoffman.
One night in 1947, an intensely curious 5-year-old boy named Michael McCleery asked his father for a story. So his father, William McCleery, produced a tale that revolved around a wolf named Waldo, a hen named Rainbow, and another little boy, the son of a farmer, named Jimmy Tractorwheel. Over weeks and weeks, William serialized the story, telling it in installments to Michael and his best friend during bedtimes and Sunday afternoon outings.
For a metro area of only about 3.5 million people, the Twin Cities region is unusual in the way it supports not one, but two world-class orchestras. Now, with looming deficits on the horizon and musicians' contracts at both the Minnesota Orchestra and the Saint Paul Chamber Orchestra expiring Sept. 30, the Twin Cities may have two orchestras on strike.
At 11 a.m. on a weekday, Calexico rehearses for its upcoming tour in a cramped studio on the south side of Tucson, Ariz. The stereotypical musician would just be getting up, but lead singer and songwriter Joey Burns has been up since dawn with his twin baby girls.
Trumpet player Jacob Valenzuela arrives late to the rehearsal — and that's because his washing machine broke and he had to deal with a small flood. Valenzuela grabs his trumpet as the band launches into "Splitter," the first single from Calexico's new album.