Since 1991, World Cafe® has emerged as the premiere public radio showcase for contemporary music. Host David Dye serves up an eclectic blend that includes indie rock, singer-songwriters, folk, alternative country, blues, and world music.
Originally published on Mon February 11, 2013 2:41 pm
John Murry's first album, The Graceless Age, makes its U.S. debut on March 5. An active musician since 2006, Murry moved from his hometown of Tupelo, Miss., to Oakland, Calif., a couple years ago to work alongside musician Bob Frank.
A descendent of Nobel Prize in Literature recipient William Faulkner, Murry visits his family's literary past and channels it into his music. His dark, deep rock 'n' roll is alluring, emotional and infectious.
Hear two tracks from The Graceless Age in this installment of World Café: Next.
Originally published on Mon March 18, 2013 2:23 pm
After nearly 30 years of prolific genre-avoidance, the indie-rock trio Yo La Tengo returns with Fade,its first studio album in almost four years. The record, the band's 13th full-length release, features "Before We Run," a six-minute piece of orchestral pop showcasing Yo La Tengo's stately side.
A.C. Newman has been at the forefront of some of the best-loved indie-pop bands of the past two decades, most notably The New Pornographers and Zumpano. But as a part-time solo artist, Newman tends to craft work that's more melancholic than his playful efforts with The New Pornographers.
The four main members of the Swedish band The Amazing play in many other successful music acts (Dungen, et al), some of which are shared projects. The overlap makes for obvious chemistry within this experimental, genre-bending folk-rock supergroup.
On its most recent album, 2011's Gentle Stream, The Amazing jumps around quite a bit, delving into psychedelic folk, pop and acoustic rock. Here, the group plays songs from its latest album and sits down with David Dye to discuss its grandiose name and musical influences.
Richie Follin is the leader of the Brooklyn pop-rock band Guards. Listening to the group, it's hard not to mention the singer's older sister, Madeline Follin of Cults, as their shared upbringing and influences are obvious.
Beyond literal lineage, Cults and Guards share an aesthetic of buzzy and revitalized old-school pop. In perfect little-brother form, though, Guards is a bit edgier — a little grungier and more eclectic in a way that people with cool older siblings often are.